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New Orleans Jazz Clarinetist Johnny Dodds

The Red Hot Jazz Archive calls Johnny Dodds one of he greatest clarinetists of the 1920s.  The site says that two other greats of the day — Sidney Bechet and Jimmie Noone — had better technique, but Dodds had a soulful and bluesy style that made up for the any shortcomings.

Johnny_Dodds
Johnny Dodds

Dodds was a participant in early New Orleans jazz, which is the same as saying he was there when modern American music was born. He was along for the ride during the days that Louis Armstrong was revolutionalizing the genre and played in many of the “hot” jazz bands of the day. He played with Kid Ory, Fate Marable, Jelly Roll Morton and King Oliver.  Dodds was on Armstrong’s Hot Five and Hot Seven records, which are among the most important records ever made.

Wikipedia notes that Dodds played alto sax as well as clarinet. The site, as usual, provides a well done bio. Dodds — which the site says is pronounced “dots” — was born in 1892 in Waveland, MS but moved to New Orleans as a youth. He later lived in Chicago. He didn’t record during the 1930s due to poor health and died in 1940. His brother, Warren (Baby) Dodds, was an influential drummer.

Jim Cullum at the Riverwalk Jazz Collection summarizes a piece written by Margaret Moos Pick that describes Johnny Dodds’ style more informally than the other bios. She quotes a critic who extolled Dodds’ full and round tone and calls Dodds one of the most original and talented of clarinetists from the city, which of course overflowed with great players and creativity.

Whenever early New Orleans jazz is discussed, the same names come up. Armstrong. Orly. King Oliver. Marable. Dodds. There names fade a bit with time — all but Armstrong’s — but their influence remains strong and should not be forgotten.

Above is “Melancholy” and below is “After You’ve Gone.” The Daily Music Break has posted on Louis Armstrong on many occasions, including here, here and here. The site also has posted on Jelly Roll Morton and Sidney Bechet.

Here’s What’s Here

The Daily Music Break explores every genre of music, from hip hop to opera. It's simple: Boundaries are dumb. It's all good. Here is more about the site and here is our index:

--A Tribe Called Quest to The Dick Hyman Trio (In other words, A to H)

--Indigo Girls to Queen Ida (I to Q)

--Radiohead to ZZ Top (R to Z)

Reading Music

The stories of the great bands and musicians are fascinating. Musicians as a group are brilliant, but often troubled. The combination of creativity and drama makes for great reading.

Here are some books to check out.

Duke Ellington brought class, sophistication and style to jazz which, until that point, was proudly unpolished and raucous. His story is profound. The author, Terry Teachout, also wrote "Pops," the acclaimed bio of Louis Armstrong. Click here or on the image.

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What else is there to say? Here is the story behind every song written by The Beatles. Click here or on the image.

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The Grateful Dead don't get enough credit for the profound nature of its lyrics. Many of the band's songs are driven by a deep and literate Americana ("I'm Uncle Sam/That's who I am/Been hidin' out/In a rock and roll band" and "Majordomo Billy Bojangles/Sit down and have a drink with me/What's this about Alabama/Keeps comin' back to me?").

David Dodd's exhaustive study tells the story, song by song. Click here or on the image.

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