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New York is a City of Immigrants

Sometimes things just happen in neat little bundles. Yesterday, my wife, daughter and I spent much of the afternoon at Flushing Meadows Park in Queens. The park was the site of the 1939/1940 and 1964/1965 world’s fairs. It now hosts The Queens Museum in a solid, rectangular building which Wikipedia says was built for the earlier fair, used for the second and in between served as the United Nations General Assembly before the permanent headquarters was built in Manhattan.

The museum is home to a massive and extraordinary scale model of the city, from up in the northern Bronx all the way down to the southwestern reaches of Staten Island. Originally built for the 1964 fair, the model is scaled at one inch to 100 feet. It is periodically updated and features every structure in the city. Visitors walk on a catwalk around the model. Tiny planes, attached to what looks like fishing line, take off from LaGuardia and JFK.

A bad shot of part of the big model of NYC at The Queens Museum.

As wonderful as the model is, the real story is the park. It was one of the first nice days of the spring, and it was full of people from all over. Latin American countries were particularly well represented. The park was mobbed and everyone was having a good time.

We ended up in nearby Corona, the Queens area made famous by two great American musicians: Paul Simon and Louis Armstrong. Simon, of course, sang about the Queen of Corona. Armstrong, the most important American musician, spent his last years in Corona in the only house he ever owned. It also is home to The Lemon Ice King of Corona, makers of what many people consider the best ices in the city.

The great thing is that being in the Corona/Flushing area is like being in Mexico. It is a poor and grimy neighborhood, but the people are out in the street, the food is great and there is music everywhere. I had arroz con pollo after deciding that arroz is bueno for Passover.

The bundle that tied it all together was the song that came on the radio as we drove between the restaurant and the ices. Steve Earle’s “City of Immigrants” was perfect. New York is not explicitly mentioned in the song, but the implication is clear. The closest he comes is mentioning a city that doesn’t sleep.

Songfacts says that the song was written in 2008 in response to steps taken by the Bush administration. Earle, the site says, had recently relocated to New York City after living in Nashville for three decades. It is pretty obvious that his views are not likely to have moderated in response to the first three months of the Trump administration.

Those interested in the long and fascinating story of how immigration literally and figuratively built New York City, check out the terrific “City of Dreams” by Tyler Anbinder. It’s the first choice in the Amazon listings below.



Here’s What’s Here

The Daily Music Break explores every genre of music, from hip hop to opera. It's simple: Boundaries are dumb. It's all good. Here is more about the site and here is our index:

--A Tribe Called Quest to The Dick Hyman Trio (In other words, A to H)

--Indigo Girls to Queen Ida (I to Q)

--Radiohead to ZZ Top (R to Z)

Reading Music

The stories of the great bands and musicians are fascinating. Musicians as a group are brilliant, but often troubled. The combination of creativity and drama makes for great reading.

Here are some books to check out.

Duke Ellington brought class, sophistication and style to jazz which, until that point, was proudly unpolished and raucous. His story is profound. The author, Terry Teachout, also wrote "Pops," the acclaimed bio of Louis Armstrong. Click here or on the image.

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What else is there to say? Here is the story behind every song written by The Beatles. Click here or on the image.

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The Grateful Dead don't get enough credit for the profound nature of its lyrics. Many of the band's songs are driven by a deep and literate Americana ("I'm Uncle Sam/That's who I am/Been hidin' out/In a rock and roll band" and "Majordomo Billy Bojangles/Sit down and have a drink with me/What's this about Alabama/Keeps comin' back to me?").

David Dodd's exhaustive study tells the story, song by song. Click here or on the image.

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