New Orleans has a genius for producing great food and great trumpet and cornet players. Indeed, Louis Armstrong — who Wynton Marsalis pays homage to above — wasn’t the first. There was Buddy Bolden. And Joe “King” Oliver, a mentor to Armstrong, was raised in New Orleans even if he wasn’t born there. More recently, the city produced Al Hirt and Nicolas Payton. There are many others.
But Marsalis is special, as a musician and as an ambassador of jazz. This is from the bio at his site:
Wynton was born in New Orleans, Louisiana, on October 18, 1961, to Ellis and Dolores Marsalis, the second of six sons. At an early age he exhibited a superior aptitude for music and a desire to participate in American culture. At age eight Wynton performed traditional New Orleans music in the Fairview Baptist Church band led by legendary banjoist Danny Barker, and at 14 he performed with the New Orleans Philharmonic. During high school Wynton performed with the New Orleans Symphony Brass Quintet, New Orleans Community Concert Band, New Orleans Youth Orchestra, New Orleans Symphony, various jazz bands and the popular local funk band, the Creators. (Continue Reading…)
Here is the beginning of a review of a 1999 work, All Rise, which was presented at Avery Fisher Hall:
Wynton Marsalis’s tap didn’t turn off in 1999. Eight new discs bear his name, ranging from new extended jazz works to rearranged Jelly Roll Morton and Thelonious Monk; he has a seven-CD boxed set of live material; six months of the year were spent touring worldwide and playing the music of Duke Ellington. And finally, in its premiere performance on Wednesday night at Avery Fisher Hall, there was ”All Rise,” a symphonic piece commissioned by the New York Philharmonic in a collaboration with Jazz at Lincoln Center. (Continue Reading…)
Above is Portrait of Louis Armstrong. It is, in essence, Marsalis’ take on Duke Ellington’s take on Armstrong. Below, Marsalis accompanies Norah Jones on Come Rain or Come Shine.
