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Ralph Stanley Stayed True to Very Old Roots

Jana Pendragon at AllMusic does a nice job of profiling Ralph Stanley. Here is how it starts:

Born in Stratton, Virginia in 1927, Ralph Stanley and his older brother Carter formed the Stanley Brothers and the Clinch Mountain Boys. In 1946 Ralph and Carter were being broadcast from radio station WCYB in Bristol, Virginia. The music, which was inspired by their Virginia mountain home, was encouraged by their mother, who taught Ralph the clawhammer style of banjo picking. They recorded for such companies as the small Rich-R-Tone label and later Columbia, a relationship that lasted from 1949 until 1952. These classic sessions defined the Stanleys’ own approach to bluegrass and made them as important as Bill Monroe. After leaving Columbia, the Stanleys were with Mercury, Starday, and King. Leaning toward more gospel at times, Carter and Ralph made a place for themselves in the music industry. In December 1966, Carter Stanley died in a Virginia hospital after a steady decline in health. He was just 41 years old. After much consideration and grief, Ralph carried on without Carter. Already their haunting mountain melodies made them stand apart from other bluegrass bands, but Ralph expanded upon this foundation and took his own “high lonesome” vocals to a new plane. (Continue Reading…)

Charles McGrath wrote a feature about Stanley in the New York Times four years ago. He paints a clear picture of the man and his music:

The songs tend to be about hard times, unfaithful lovers, deceased children, lonely graves. One of his most famous, “O Death,” is a pleading dialogue with the Grim Reaper himself. It used to be said that when you heard a Ralph Stanley tune, you either wanted to get drunk or go to church and get saved.

and

Onstage Mr. Stanley looks a little like an undertaker. He’s a small, serious man with wiry, steel-gray hair, and when he’s not using his hands, he tends to keep them clasped in front of him. For concerts he favors coal-black suits and dark shirts with a few tasteful rhinestones. He’s been on the road so long, he said, that he seldom gets stage fright. (Continue Reading…)

Here is the bio from the Ralph Stanley Museum website. The great news is that 87-year-old Dr. Stanley, as he is known, still is performing.

Above “I’ll Fly Away” and below is “The Rank Stranger.”

(Home page photo: Larry Miller)

Our New Things: Links to Music Sites and Info on Analog Tech and Vinyl

TDMB has focused on music and musicians. We will continue to do that, of course. We're also expanding our coverage to include vinyl and analog equipment.

More specifically, we'll look at this huge and interesting world from the perspective of music lovers who want a better experience, not committed non-audiophiles.

Check out is some of what we've written so far:

-- Assessing the Value of Vinyl Records: An Overview

-- 7 Quick Tips on Optimizing Your Turntable Cartridge

-- Why Vinyl Records Continue to Thrive

-- Finding the Best Amplifier

-- Finding the Best Phono Preamp

-- What Speakers Do I Need for My Turntable?

Check out more articles on analog equipment and vinyl.

The site also is home to The Internet Music Mapping Project, an effort to list and describe as many music-related sites as possible.

Our Music

--A Tribe Called Quest to The Dick Hyman Trio (In other words, A to H)

--Indigo Girls to Queen Ida (I to Q)

--Radiohead to ZZ Top (R to Z)

Reading Music

The stories of the great bands and musicians are fascinating. Musicians as a group are brilliant, but often troubled. The combination of creativity and drama makes for great reading.

Here are some books to check out.

Duke Ellington brought class, sophistication and style to jazz which, until that point, was proudly unpolished and raucous. His story is profound. The author, Terry Teachout, also wrote "Pops," the acclaimed bio of Louis Armstrong. Click here or on the image.

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What else is there to say? Here is the story behind every song written by The Beatles. Click here or on the image.

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The Grateful Dead don't get enough credit for the profound nature of its lyrics. Many of the band's songs are driven by a deep and literate Americana ("I'm Uncle Sam/That's who I am/Been hidin' out/In a rock and roll band" and "Majordomo Billy Bojangles/Sit down and have a drink with me/What's this about Alabama/Keeps comin' back to me?").

David Dodd's exhaustive study tells the story, song by song. Click here or on the image.

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