Guitarist Larry Campbell has played with everyone. He was in Bob Dylan’s Never Ending Tour band, which ran from 1997 through 2004. He has played with Levon Helm, Phil Lesh, Judy Collins, Cry Cry Cry, Linda Thompson, Sheryl Crow, Paul Simon, B.B. King, Willie Nelson, k.d. Lang, Rosanne Cash, Buddy and Julie Miller, Little Feat, Hot Tuna and a host of others. He produced David Bromberg’s latest album. The list is impressive both for who is on it and the number of genres that are represented.
Ed Whitelock at PopMatters wrote that the latest album by Larry Campbell and Teresa Williams, “Contraband Love,” features great song writing and 11 cuts of “prime Americana.” It is, he says, “a bit darker” than the couple’s first album. Elmore Magazine’s Iain Patience wrote that “the pair have delivered an album that echoes with edgier slices of life. Joy and sorrow, love and heartache spill out as they turn in a twelve-track disc that grabs listeners by the scruff of the neck and propels us to a riskier seam of modern Americana.” Check it out by clicking here (iTunes) or on the image (Amazon).Campbell talks about having the feeling that he had arrived as a musician when he played “Blowin’ In the Wind” with Dylan. He describes a similar reaction when he played “Hesitation Blues” with Hot Tuna, “The Boxer” with Paul Simon and (with Williams) “Attics of My Life” with Phil Lesh. The final item is especially poignant. It’s the story of Levon Helm’s last show before entering the hospital near the end of his life.
Two thoughts come through from reading about Campbell and, to some extent, watching him in clips. I have the suspicion that he likes to not be the one most in the spotlight. Though he seems quite comfortable with the center position, I have a gut feeling that he is just as happy playing second fiddle.
The other reaction is far less speculative: He and Williams had a deep and personal connection with Helm. It is nicely presented in this Q&A with Williams and Campbell at Indy Week. It was a bit of a family thing. I had the pleasure of seeing Levon’s daughter, Amy, perform with Campbell at a winery on eastern Long Island a few years ago. So the family, in both the literal and musical sense, stayed together.
Above is Williams and Campbell’s version of “Keep Your Lamp Trimmed and Burning.” Below is “Texas Crapshooter,” which Campbell attributes to Doc Watson, who he calls one of his early heroes.
(Credits: Pop Matters and Elmore Magazine were used in the blue box.
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