Quantum Science, Improvisational Jazz and Stephon Alexander

Stephon Alexander thinks that two of his favorite things — improvisational jazz and quantum physics — are deeply linked.

Saying quantum science is weird is like saying that Stevie Ray Vaughan could play guitar. It is bizarre, counter-intuitive and impossible to really understand – and that’s water cooler talk in physic grad school faculty lounges.

Two examples: The results of experiments change depending upon whether it is being watched or not and something that happens to a particle on one side of the universe automatically and instantaneously changes an “entwined” particle on the other side.

Stephon Alexander

Another crazy reality about quantum behavior is pointed to by Alexander in the video above. A particle moving from point A to point B traverses all possible paths. Routes from New York to Boston including driving up I-95—but also going through Europe, China, Oklahoma and Pluto. Alexander says that jazz improvisation does the same thing. Between the jumping off point and the end – the return to the main melody – the musician has unlimited choice. The musician can consider any path, just as the quantum particle.

Alexander, who I saw by chance on PBS a few months ago, raises questions about the relationship between science and art. It’s always interested me that the human mind works to perceive things in the world as beautiful. The sounds made by a violin are nothing more than strings vibrating at a specific frequency. A sunset is the result of energy from the sun using water droplets in the atmosphere as a prism and emitting certain frequencies of light depending upon the angle at which the light hits. But our minds accept those things as beautiful and sublime. They are. But they also are science.

Scientists and mathematicians have another (or additional) view of beauty. Einstein had trouble accepting quantum science (though it was largely his idea) because it was not “elegant” and seemed to rely on chance, something that offended his sensibilities about the grace of the universe. Perhaps there is a tie between mental health and finding things that we think are beautiful and thus give us pleasure.

It sounds slightly odd to many of us when a scientist or mathematician refers to a theorem or experimental result as “beautiful” or a chess grandmaster refers to a match in the same way. It seems, however, that separating human endeavors (a painting is beautiful but a algorithm is a cleverly arranged  bunch of numbers) in this way is a modern thing. As Walter Isaacson makes clear in his unique biography of Leonardo DaVinci, learned people of the past didn’t distinguish between art and science. DaVinci’s mind-boggling discoveries span both areas (and others—the guy was a trip).

He is known as an artist, but suggested how heart valves work about 500 years before the means existed to test his theory (he nailed it), threw off ideas that anticipated atoms, accurately theorized about helicopters, essentially invented anatomical drawing and on and on. That’s just the very tip of a massive iceberg. We know DaVinci today primarily as an artist because much of his other work was destroyed. Unlike Michelangelo, who was a contemporary, he also supposedly was a nice guy.

The point isn’t how brilliant DaVinci was, though it’s fun to think about. It’s that he made no distinction between art and science. They flowed from the same thing. This seems to be what Alexander is thinking.

No post like this would be complete without a quick Einstein story. This one is especially appropriate because it involves music: Einstein was an amateur violinist. At one rehearsal during his stay at Princeton he came in a beat early. The conductor looked at him and said, “What’s the matter, Professor Einstein? Don’t you know how to count?”

Below is “Running the Cosmos” from Alexander and Rioux. Here is Alexander’s website.

Our New Things: Links to Music Sites and Info on Analog Tech and Vinyl

TDMB has focused on music and musicians. We will continue to do that, of course. We're also expanding our coverage to include vinyl and analog equipment.

More specifically, we'll look at this huge and interesting world from the perspective of music lovers who want a better experience, not committed non-audiophiles.

Check out is some of what we've written so far:

-- Assessing the Value of Vinyl Records: An Overview

-- 7 Quick Tips on Optimizing Your Turntable Cartridge

-- Why Vinyl Records Continue to Thrive

-- Finding the Best Amplifier

-- Finding the Best Phono Preamp

-- What Speakers Do I Need for My Turntable?

Check out more articles on analog equipment and vinyl.

The site also is home to The Internet Music Mapping Project, an effort to list and describe as many music-related sites as possible.

Our Music

--A Tribe Called Quest to The Dick Hyman Trio (In other words, A to H)

--Indigo Girls to Queen Ida (I to Q)

--Radiohead to ZZ Top (R to Z)

Reading Music

The stories of the great bands and musicians are fascinating. Musicians as a group are brilliant, but often troubled. The combination of creativity and drama makes for great reading.

Here are some books to check out.

Duke Ellington brought class, sophistication and style to jazz which, until that point, was proudly unpolished and raucous. His story is profound. The author, Terry Teachout, also wrote "Pops," the acclaimed bio of Louis Armstrong. Click here or on the image.


What else is there to say? Here is the story behind every song written by The Beatles. Click here or on the image.


The Grateful Dead don't get enough credit for the profound nature of its lyrics. Many of the band's songs are driven by a deep and literate Americana ("I'm Uncle Sam/That's who I am/Been hidin' out/In a rock and roll band" and "Majordomo Billy Bojangles/Sit down and have a drink with me/What's this about Alabama/Keeps comin' back to me?").

David Dodd's exhaustive study tells the story, song by song. Click here or on the image.

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