Of course, it is quite a claim. Thomas’ point is that Ovid, Homer and Virgil were not gods. They were real people who plied their craft just as Dylan has done. We could, of course, wait a few millennia to see how it all shakes out. Failing that, we can rely on an expert such as Thomas, the George Martin Lane Professor of the Classics at Harvard University. In addition to teaching the classics, every four years he offers an undergraduate course entitled “Why Bob Dylan Matters” and has written a book by the same title (here it is on Amazon).
Myth also seem to me to be reflected in some of his most popular songs. Dylan can write intimately, as he does, for instance, on much of “Nashville Skyline.” But some of his greatest songs cover a far broader landscape. “Knocking on Heaven’s Door,” for instance, is a mythic song that is grander than one person’s experience. It’s not just a sheriff who can’t shoot anymore, it’s all of us. In my opinion, that’s where he is different than other lyricists.
A person must think about what Dylan is saying. It is not all neatly laid out. Allusions do not hit the listener over the head. This may be why Dylan deserves to be mentioned in the same sentence as other great writers, no matter when they lived. This, in the big scheme of things, makes being a rock star only his day job.
“Crossing the Rubicon” from Rough and Rowdy Ways is below the Amazon ad. TDMB previously posted about Dylan here and here.
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